{"id":1685,"date":"2019-12-09T06:44:28","date_gmt":"2019-12-09T06:44:28","guid":{"rendered":"http:\/\/jewishstudiescolumbia.com\/myny\/?p=1685"},"modified":"2019-12-09T07:01:56","modified_gmt":"2019-12-09T07:01:56","slug":"the-wild-princess-or-young-medea","status":"publish","type":"post","link":"https:\/\/jewishstudiescolumbia.com\/myny\/arts\/the-wild-princess-or-young-medea\/","title":{"rendered":"The Wild Princess, or, Young Medea"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1690 size-medium\" src=\"https:\/\/jewishstudiescolumbia.com\/myny\/wp-content\/uploads\/5D93C83E-25CA-483E-8D52-E1A1863E5D85-125x300.jpeg\" alt=\"\" width=\"125\" height=\"300\" srcset=\"https:\/\/jewishstudiescolumbia.com\/myny\/wp-content\/uploads\/5D93C83E-25CA-483E-8D52-E1A1863E5D85-125x300.jpeg 125w, https:\/\/jewishstudiescolumbia.com\/myny\/wp-content\/uploads\/5D93C83E-25CA-483E-8D52-E1A1863E5D85-768x1849.jpeg 768w, https:\/\/jewishstudiescolumbia.com\/myny\/wp-content\/uploads\/5D93C83E-25CA-483E-8D52-E1A1863E5D85-425x1024.jpeg 425w, https:\/\/jewishstudiescolumbia.com\/myny\/wp-content\/uploads\/5D93C83E-25CA-483E-8D52-E1A1863E5D85-40x96.jpeg 40w\" sizes=\"auto, (max-width: 125px) 100vw, 125px\" \/><\/p>\n<p>Image Source: <a href=\"http:\/\/The Wild Princess, otherwise known as Young Medea, was a Yiddish take on the ancient Greek tragedy Medea, originally written by Euripides. Euripides\u2019 original version of the play was based on the Greek myth of Jason and Medea and told the tragic story of a woman betrayed by her husband and set off on a murderous rampage. While performances of Greek plays were relatively common in the secular world in the 1900s, modern Jews tended to avoid these plays. The themes of polytheism and idolatry were aversive to Jewish audiences and, as such, these ancient shows held little appeal. Though the specific year is unclear, it can be assumed that the performance that this poster is advertising took place sometime between 1900 and 1919. Jacob Gordin, a well-known playwright and advocate for Yiddish theater, adapted the story of Medea for Jewish and Yiddish-speaking audiences. While much of the original story remained the same, some themes, characters, and settings were adjusted to better suit these modern Jewish audiences. This was a common practice of Jacob Gordin\u2019s, often taking ancient plays that had been avoided by the Jewish people and adjusting them to allow these audiences to enjoy the classics with fresh eyes. Madame K. Liptzin, pictured above, was the star of this performance. Playing the titular role of Medea, Liptzin was joined by a cast of other Jewish and Yiddish-speaking actors to create a truly immersive and accessible theatrical experience. Madame K. Liptzin went on to star in additional plays written or adapted by Jacob Gordin, two of which are also advertised on this poster. The first play that the advertisement previews, shown on the bottom-right of the poster, is The Yiddish King Lear, a Yiddish retelling of the Shakespearean tragedy King Lear. Next, on the bottom-left of the poster, there is a preview for a performance of \u201cMadlayn,\u201d or \u201cThe Bad Shepherds,\u201d based on a play by Octave Mirbeau. Each of these advertisements demonstrates the complex and exciting world of Yiddish theater in early 1900s New York.\">The New York Public Library Digital Collections<\/a><\/p>\n<p><span style=\"font-weight: 400;\"><em>The Wild Princess<\/em>, otherwise known as <em>Young Medea<\/em>, was a Yiddish take on the ancient Greek tragedy <\/span><i><span style=\"font-weight: 400;\">Medea<\/span><\/i><span style=\"font-weight: 400;\">, originally written by Euripides. The play was performed in four acts and attracted Yiddish speaking audiences from across New York to see this Jewish twist on a famous play. The performances took place on June 10th and 11th, though the specific year of the performance is still unknown. It can be assumed that this poster was in circulation sometime between 1900 and 1919. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Euripides\u2019 original version of the play was based on the Greek myth of Jason and Medea and told the tragic story of a woman betrayed by her husband and set off on a murderous rampage. While performances of Greek plays were relatively common in the secular world in the 1900s, modern Jews tended to avoid these plays. The themes of polytheism and idolatry were aversive to Jewish audiences and, as such, these ancient shows held little appeal.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jacob Gordin, a well-known playwright and advocate for Yiddish theater, adapted the story of Medea for Jewish and Yiddish-speaking audiences. While much of the original story remained the same, some themes, characters, and settings were adjusted to better suit these modern Jewish audiences. This was a common practice of Jacob Gordin\u2019s, often taking ancient plays that had been avoided by the Jewish people and adjusting them to allow these audiences to enjoy the classics with fresh eyes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Madame K. Liptzin, pictured above, was the star of this performance. Playing the titular role of Medea, Liptzin was joined by a cast of other Jewish and Yiddish-speaking actors to create a truly immersive and accessible theatrical experience. Madame K. Liptzin went on to star in additional plays written or adapted by Jacob Gordin, two of which are also advertised on this poster. The first play that the advertisement previews, shown on the bottom-right of the poster, is <\/span><i><span style=\"font-weight: 400;\">The Yiddish King Lear<\/span><\/i><span style=\"font-weight: 400;\">, a Yiddish retelling of the Shakespearean tragedy <\/span><i><span style=\"font-weight: 400;\">King Lear<\/span><\/i><span style=\"font-weight: 400;\">. Next, on the bottom-left of the poster, there is a preview for a performance of \u201cMadlayn,\u201d or \u201cThe Bad Shepherds,\u201d based on a play by Octave Mirbeau. Each of these advertisements demonstrates the complex and exciting world of Yiddish theater in early 1900s New York.<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Translation:<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Friday, 10.<span class=\"Apple-converted-space\">\u00a0 <\/span>and Saturday Evening, 11. June<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">The Wild Princess<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Or, Young Medea<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">A Historical Drama in 4 Acts<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">by Jacob Gordin<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Cast:<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Mr. Moshkovitch&#8230;&#8230;&#8230;..Aeetes, King of Colchis<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Madame Thomashefsky&#8230;&#8230;&#8230;..Absyrtus, His Child<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Madame Manne&#8230;&#8230;&#8230;..Gara, Medea\u2019s Nurse<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Madame Wilensky&#8230;&#8230;&#8230;..Akhheza, Medea\u2019s Friend<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Mr. Thomashefsky&#8230;&#8230;&#8230;..Jason, A Greek Hero<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Mr. Tornberg&#8230;&#8230;&#8230;..Mila, His Friend<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Mr. Meisel&#8230;&#8230;&#8230;..One Person From The Arganavtan<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Medea\u2019s young lady, priest, chief, Greek, citizen of Colchis, war-leader.<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">\u201cMedea\u201d played by Madame K. Liptzin<\/span><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Plot-setting \u2014 Colchis<\/span><\/p>\n<p class=\"p1\" style=\"text-align: right;\"><span class=\"s1\">In preparation&#8230;<\/span><\/p>\n<p class=\"p1\" style=\"text-align: right;\"><span class=\"s1\">The Yiddish King Lear<\/span><\/p>\n<p class=\"p1\" style=\"text-align: right;\"><span class=\"s1\">By Jacob Gordin<\/span><\/p>\n<p class=\"p1\" style=\"text-align: right;\"><span class=\"s1\">Specially written for<\/span><\/p>\n<p class=\"p1\" style=\"text-align: right;\"><span class=\"s1\">Madame K. Liptzin<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">In preparation&#8230;<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">\u201cMadlayn\u201d<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Or<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">\u201cThe Bad Shepherds\u201d<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">by Mirbeau<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Adapted by Jacob Gordin for<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Madame K. Liptzin.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">Y. Lipshitts, Crisis Printer, 180 Grand Street, New York<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Works Cited:<\/p>\n<div class=\"cite-group\">\n<p class=\"p1\"><span class=\"s1\">Dorot Jewish Division, The New York Public Library. &#8220;Di \u1e7filde printsesin, oder, Medea&#8217;s yugend&#8221; The New York Public Library Digital Collections. 1900 &#8211; 1919. http:\/\/digitalcollections.nypl.org\/items\/7eb45a30-cc3d-0133-620a-00505686a51c<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Fogel, Joshua. \u201cYiddish Leksikon: Yankev (Jacob) Gordin.\u201d Yiddish Leksikon, 22 July 2015, http:\/\/yleksikon.blogspot.com\/2015\/07\/yankev-jacob-gordin.html.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">SparkNotes: Medea: Comprehensive Summary. https:\/\/www.sparknotes.com\/lit\/medea\/summary\/. Accessed 9 Dec. 2019.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Studio, Familiar. \u201cHttps:\/\/Web.Uwm.Edu\/Yiddish-Stage\/Yiddish-Theatre-History-Belongs-to-the-Opera-Writers.\u201d Digital Yiddish Theatre Project, 9 Dec. 2019, https:\/\/web.uwm.edu\/yiddish-stage\/yiddish-theatre-history-belongs-to-the-opera-writers.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image Source: The New York Public Library Digital Collections The Wild Princess, otherwise known as Young Medea, was a Yiddish take on the ancient Greek tragedy Medea, originally written by Euripides. The play was performed in four acts and attracted Yiddish speaking audiences from across New York to see this Jewish twist on a famous [&hellip;]<\/p>\n","protected":false},"author":81,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,136],"tags":[],"class_list":["post-1685","post","type-post","status-publish","format-standard","hentry","category-arts","category-yiddish-images","has-post-thumbnail"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9teox-rb","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/posts\/1685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/users\/81"}],"replies":[{"embeddable":true,"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/comments?post=1685"}],"version-history":[{"count":10,"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/posts\/1685\/revisions"}],"predecessor-version":[{"id":1699,"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/posts\/1685\/revisions\/1699"}],"wp:attachment":[{"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/media?parent=1685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/categories?post=1685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jewishstudiescolumbia.com\/myny\/wp-json\/wp\/v2\/tags?post=1685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}